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There was the film; there was the album; there was the tour; and now, the final piece of Tenacious D's masterful Post-Apocalypto universe: the graphic novel, complete with accompanied audio. In the fall of 2018, the Greatest Band in the World - Tenacious D (comprised of Jack Black and Kyle Gass) - added arguably its most crucial work to an already scintillating catalogue of rock greatness: Tenacious D in Post-Apocalypto the movie (available on YouTube) and Post-Apocalypto the album. And now - with great excitement - Tenacious D will add the final piece to the Post-Apocalypto universe: the graphic novel, which Jack Black drew and Kyle Gass wrote, complete with accompanied audio. Post-Apocalypto finds Tenacious D thrust into a world of complete and utter destruction following the drop of an atomic bomb. Surviving the attack in classic cinematic fashion (a good old imperishable 1950s refrigerator), the duo quickly learn that new forms of evil have spawned from the blast. One thing becomes apparent - for humanity to prevail, Tenacious D must save the world. With unimaginable twists and turns, an insane visit to the White House, a time machine, a space adventure, and the help of some tried-and-true daddy issues, Post-Apocalypto is as hilarious as it is political, and as brilliant and multi-faceted as its incredible creators.

Danish cartoonist Rikke Villadsen makes her English language debut with this story of a sailor that is playfully creepy and oddly beautiful. A fisherman's life traversing the ocean is full of danger and surprise, but even the most experienced seafarer would not be ready to pull up their net after they've caught a newborn baby and a talking fish! Thus begins a story full of expressive pencil drawings, provocative symbolism, and a madness that doesn't just bubble beneath the surface of the water, but drenches the sailor, and the reader, like a tidal wave. Depicted in distinctive, and often grotesque, graphite, these unlikely shipmates trek through the thick fog, provoked by nature's powerful siren song and perhaps something even more sinister. Revelations arise about the sailor's perplexing childhood and the dubious birth of the mysterious baby as waves violently crash against the ship, already in a descent toward absurdity. Villadsen's first foray into the American literary scene is ultimately about the end of one life,the beginning of another, and a man, literally and figuratively, lost at sea.

In Paco Roca's intensely intimate and international award-winning graphic novel, The House, three adult siblings return to their family's quaint vacation home a year after their father's death. They each bring their respective wives, husbands, and children there with the intention to clean up the residence and put it on the market, but as garbage is hauled off and dust is wiped away, decades-old resentments quickly fill the vacant home. Through flashbacks into each sibling's memories - the fig trees they grew up climbing, the pergola they never got
around to build, the final visits to the hospital - Roca gives us a glimpse into domestic moments of joy, guilt, and disappointment while asking what happens to brothers and sisters when the only person holding the family together is now gone. Much like the film The Big Chill, The House is both painful and touching, brilliantly rendered on panoramic pages by Roca, who is known for his empathetic books like the 2017 Eisner Award-nominated Wrinkles. At once deeply
personal (dedicated to Roca's own deceased father) and entirely universal, The House details the struggle to overcome the past, but still hold onto the memories.

Donald, Uncle Scrooge, and their nephews are locked in a Duckburg family feud when an interdimensional doorway appears... and takes them to Morgworld, a medieval realm where trolls rule, humans are serfs, and dragons beasts of burden! Can our squabbling Ducks bring justice to this land of swords and sorcery?

One of the most renowned and celebrated comic strips in the art form's history waywardly treks on through the 1920s, with all its madcap animal inhabitants in tow, in this gorgeous, archival hardcover collection. In this volume: precarious coconuts, incarcerated elephants, and witty weather patterns. Krazy Kat themself take a swing at singing, astronomy, and starring in ... their own comic strip! It also features essays by Herriman scholars, plus ten rare full-color experimental strips by Herriman.
This Eisner Award-nominated series, featuring all the Krazy Kat Sunday strips' eternally beguiling love triangle, luminous language, and grand desert décor, makes it plain to Herriman fans and newcomers alike why historians, scholars, and cartoonists consider this the best comic strip ever created.

The world's elite use the ocean planet of Lure as a luxury vacation hub for a decade. But when climate change threatens Earth's long-term habitability, many of those who can afford it move to Lure for good. When the opportunity to work there for a year is offered to visual artist Jo Sparta, as part of a group of artists collaborating on a large-scale installation of public art, it seems like the chance of a lifetime. But then, Jo stumbles across a nefarious plot by her corporate benefactors and feels compelled to go public.
Lure showcases Milburn's rich visual imagination, with the planet Lure itself an ever-seductive, otherworldly paradise against which he spotlights themes of climate change, the disparity of wealth, and the value of art - all in the service of a grippingly moral thriller.

In 1976, a fledgling magazine held forth the idea that comics could be art. In 2016, comics can now be enjoyed by an adult readership and are reviewed favorably in the New York Times. We Told You So: Comics as Art is an oral history about Fantagraphics Books' key role in helping build and shape an art movement around a discredited, ignored, and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Frank Miller, Daniel Clowes, R. Crumb, as well as brand-new art by cartoonists like the Hernandez Brothers, Leslie Stein, Al Jaffee, Ellen Forney, Simon Hanselmann and more!

This series is rated Adults Only
DISCLAIMER: graphic sexuality
Clover - the "pretty" vampire of the title - is a Bardot-esque blonde who dreams of the (now-dead) girl she once was four years ago before becoming a fanged bloodsucker. She is being kept prisoner by her brother, Marcel, who fears Clover will be hunted by the outside world (and who may have other, more selfish motivations as well). Clover's curiosity, however, will not be suppressed: impetuous, sensual, strong-willed, and fearless, she plans her escape. The resultant havoc would make Dario Argento proud.

This is a deluxe, full-color, coffee table book biography; the first of one of America's greatest storytellers. It's filled with beautifully reproduced artwork from the comic books Little Lulu, and his creations Melvin Monster and Thirteen(Going on Eighteen); rare drawings and cartoons; and never-before-seen photographs. Bill Schelly tells Stanley's life story through interviews with his family, friends, and colleagues: his childhood in Harlem and the Bronx, life with his strict Irish Catholic mother, his education at Parsons, his first job as an animator at Max Fleischer Studios, and his years working as a commercial artist, before finding his true métier in comic books during World War II (while battling clinical depression and alcoholism).

A travel memoir recounting the artist's experience of caring for her frail grandparents aboard a cruise ship, while reflecting on her own fears on mortality, her age, and her family's relationships and history.

Acclaimed cartoonist Lucy Knisley (French Milk, Relish) got an opportunity that most only dream of: a travel-expenses-paid trip to Europe and Scandinavia, thanks to a book tour. An Age of License is Knisley's comics travel memoir recounting her charming (and romantic!) adventures. Knisley's experiences are colored by anxieties, introspective self-inquiries, and quotidian revelations - about traveling alone in unfamiliar countries, and about her life and career - that many young adults will relate to. An Age of License - which takes its name from a French saying - is an Eat, Pray, Love for the alternative comics fan.

Ernest Hemingway stars in three interconnecting short stories in this graphic novel.
Paris, 1925. Our story begins when Hemingway meets Athos, the last Musketeer, who, together with several more friends of Hemingway, travel to Spain's Pamplona for the fiesta. Festivities and complications ensue.
Paris, 1944. The second story starts the day after the liberation of Paris when Hemingway, now a war correspondent, decides enough is enough, and takes action to end the war for good. With a group of adventurers and resistance fighters, he parachutes into Germany to do just that.
Cuba, late 1950s. Our literary lion is in his twilight years, writing his memoirs, remembering his first and second meeting with the seemingly immortal Athos.
Mixing fact and fiction, Jason has imaginatively recreated one of America's greatest and most controversial writers of the 20th century.

Every success story has its humble - or arrogant and mean-spirited - beginnings, and now Fantagraphics Books is tickled pink to present Mean, collecting Weissman's early, self-published, unpublished, and otherwise rare "Yikes" comics. Enjoy your favorite characters' awkward, embarrassing first appearances; watch them stumble from their early, crude glory into their mature sadistic and masochistic selves. Li'l Bloody and the Pullapart Boy steal candy, X-Ray Spence answers his fan mail, and Kid Medusa falls in love (twice!). Early critical attention, while overwhelmingly positive, often questioned what Weissman "was on" when he came up with these odd tales of young friendship. ReadMean and guess for yourself.

Hilarious, frightening, mysterious, adorable and utterly bleak, Chocolate Cheeks has arrived to disgust and delight comic-book readers of all ages. "Sweet" Chubby Cheeks and the Pullapart Boy (a twenty-first century Frankenstein's monster for kids) are driving each other crazy. Forced together by their dating parents, these two bitter enemies have alienated-or otherwise disposed of - most of their social circle, leaving them with plenty of quality-time for each other. They go camping, start a business, form a band, join a team, try to make some new friends and engage in a "holy war." Things go from worse to worst, though, when the two boys find a cat - or is it a bird? - one hot, summer day.

Chewing Gum In Church is the new "Yikes" book by Steven Weissman, starring "Sweet"" Chubby Cheeks, Kid Medusa, the Pullapart Boy, Elzie Crisler, Dead Boy, X-Ray Spence and, of course, Li'l Bloody. This cast, having survived enough adventures to fill three mass-market paperbacks, now "settles" into a daily routine of cruelty, failure, jealousy, bitterness, gluttony, sloth, violence, arrogance, and stupidity. But especially stupidity.

White Flower Day is an all-ages humor graphic novel starring a precocious gang of supernatural kids: Pullapart Boy, Kid Medusa, Li'l Bloody (a vampire toddler), the Li'l Tin Stars, and more. Think Hal Roach's classic Our Gang comedies (before child labor laws made them impossible to replicate, unless you're a cartoonist) meets the Universal Monsters, with a tad of manga-style energy thrown in. The book consists of three stories: "White Flower Day," "Hostiles," and "I Saw You," all dealing with the theme of revenge (a new emotional desire to most of the tykes).

Sala's intrepid adventuress of the macabre faces monsters, zombies, witches, madmen, evil children and a villainess who may or may not be in love with her, in this delightfully creepy collection of thrilling, chilling tales.

SHE'S COMING...VIOLENZIA. A mysterious girl leaves a path of bloody destruction wherever she goes. But, why? Find out in the brand-new, full-color, 50-page comic by Richard Sala...

In rural Wales, Helen, an amateur bird watcher, investigates the apparent suicide of a 'rare bird' named Emrys. Helen's inner life is slowly revealed through a mixture of naturalistic detail and phantasmagoric occurrences.

This series is rated Adults Only
DISCLAIMER: gore sadistic violence
Aided by the anonymous dark web and nearly untraceable cryptocurrency, a criminal subculture has emerged. It livestreams murders as entertainment. Who are the killers? Who are the victims? Who is paying to watch? How to stop it? Red Room is constructed as a series of interconnected stories, shining a light on the characters who exist in the ugliest of corners in cyberspace. Piskor cuts the graphic horror with his sharp sense of humor, gorgeous cartooning, and dynamic storytelling. Red Room peels back the curtain on the side of humanity few of us knew existed, let alone understood. Fans and followers of Piskor's YouTube channel sensation, Cartoonist Kayfabe, have already made Red Room: The Antisocial Network one of the most eagerly anticipated and talked-about releases of 2021. It is the first in a series of graphic novels, with the second scheduled for release in Summer 2022.