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The Gaza strip? No problem! Deepest Serbia? A cakewalk. Those were easy. But now the time has come to follow award-winning cartoon journalist Joe Sacco on one of the most dangerous beats (and we mean "beats" literally) of all... namely the world of rock 'n' roll. The centerpiece of the book is "In the Company of Long Hair," the early '90s graphic novelette Sacco created on the subject of his raucous European tour with the punk band the Miracle Workers. Although already published in other Sacco collections, "Long Hair" appears here for the first time in an expanded version with an added 15-page section of his original sketches and notes, and a bound-in CD featuring songs from the Miracle Workers' live shows of the timeincluding a blasting version of the Iggy Pop classic "I Got a Right." As for the rest of the book: In a series of hilarious and sharply observed vignettes, Sacco turns his pitiless pen on all strata of Rock 'n' Roll, from old rockers ("The Stones and Me," a diehard fan's lament, and its sequel, "Suffering for the Stones") to new (the abovementioned Miracle Workers); from salacious gossip ("Who's Sleeping With Who") to how-to ("Woodstock in your Own Home"), from portraits of typical rock creatures ("Record Producer," "The Musician Who Wanted to Save the World," "The Rock Journalist") to self-deprecating autobiographical stories ("Why I Let my Hair Grow" and "So You Want to Meet a Rock 'n' Roll Star.").

In Pictopia is the legendary comic created in 1986, written b y the era's most adventurous mainstream comics writer and drawn by a bevy of indie cartoonists - helmed by Don Simpson, with Mike Kazaleh, Pete Poplaski, and Eric Vincent. Presented here for the first time, scanned from the original line art and full-color painted boards, in an appropriately oversized format. Pictopia is the allegorical city inhabited by old, forgotten, but once famous and iconic comics characters, now considered pitiable has-beens by the popular new comics characters who are cheerfully and inevitably taking their places in the pop culture panteon of celebrity. It is both a paean to timeless, beloved comics characters and a scathing critique of the then-contemporary comics sub-culture.

In this new volume of cartoons, Twilight of the Assholes, reality gets ever bleaker and Kreider's humor becomes increasingly apocalyptic, deranged, and hilarious. He juxtaposes the Biblical Christ with His blonde, flag-draped, machine-gun-toting American incarnation in "Jesus vs. Jeezus," proposes a third political party that represents Americans' real values in "The Sex Party," draws the dead Saddam Hussein as a mischievous invisible imp still causing trouble, and envisions the officials of the Bush administration getting their comeuppance in the grisly fashion of Dick Tracy villains. And he finds two cartoons' worth of "Reasons to Look Forward to the Next Terrorist Attack." Also included is his infamous entry into Iran's Holocaust cartoon contest, "Silver Linings of the Holocaust."

In this pen-and-ink graphic novel, in 1964, Bobby Bailey is recruited for a U.S. military experimental genetics program that was discovered in Nazi Germany 20 years prior. His only ally, Sergeant McFarland, intervenes to try to protect him, which sets off a chain of events that spin out of everyone's control. As the titular monsters multiply, becoming real and metaphorical, literal and ironic, the story reaches its emotional and moral reckoning. Windsor-Smith has been working on this passion project for more than 35 years, and Monsters is part intergenerational family drama, part espionage thriller, and part metaphysical journey. Trauma, fate, conscience, and redemption are just a few of the themes that intersect in the most ambitious (and intense) graphic novel of Windsor-Smith's career.

In this collection of classic comic book stories, Huey, Dewey, and Louie earn a trip to the North Pole in a submarine - and Donald stows away! Fortunately, when they find themselves stranded, Gyro Gearloose invents a flying sled! Then, when Donald announces that he's taking the nephews to South America, he pledges to protect them from all the dangers in "the wildest part of the jungle" - including a sheer mountain cliff, a raging river, and a swarm of crocodiles. But who is saving whom? This book has 170 pages of story and art, each meticulously restored and newly colored, as well as insightful story notes by an international panel of Barks experts.

Kramers Ergot is the premier comics anthology of the twenty-first century. Since its inception in 2000, it has revolutionized the medium, introducing new talents, solidifying aesthetics and standing as a state-of-the-medium book. Kramers Ergot has always been a reflection of editor Sammy Harkham's current interests in comics past and future. So it is in this spirit, with this new volume, that he severs the anthology from many of the formal and stylistic elements with which it made its name. Whereas past issues were oversize, colorful and filled with a variety of artists all designed to overwhelm the reader with raw power, Kramers Ergot 8 is a complete shift both aesthetically and physically. The size of the book is smaller, to encourage a more intimate reading of the material, and the content reflects a focus on substantial works from a small group of no more than a dozen artists who, rather than being aesthetically disparate, reflect a more specific and unified aesthetic space of discipline, sophistication and quiet power. Among the contributors are Anya Davidson, Leon Sadler, Ben Jones, CF, Sammy Harkham, Tim Hensley, Kevin Huizenga, Takeshi Murata, Robert Beatty, Chris Cilla, Gabrielle Bell, Frank Santoro & Dash Shaw, Johnny Ryan and Gary Panter. It also includes a 40-page reprint of the 1970s comic strip "Wicked Wanda" by Frederic Mullally and Ron Embleton as well as an introductory essay by Ian Svenonius. Packaged in clothbound covers designed by artist Robert Beatty, this is the essential comics title of 2011.

This fine art monograph/faux underground comic facsimile is a psychedelic trip through the hippie movement. In 2017, Gary Panter created an art installation, Hippie Trip, inspired by his first visit to a head shop in 1968. It expanded his mind to the possibilities of psychedelic art and music, analog crafts and drug culture. Crashpad is an extension of that installation and a riff on underground comics creators such as Zap's R. Crumb, Victor Moscoso, Robert Williams, and other icons of that era.

If you were Donald Duck, and the raging King Rebo of Saturn attacked your town - would you hire Rebo's enemies from Jupiter to defend you? What if, as payment, the Jovians wanted to eat your rich Uncle Scrooge's money? And what happens when Daisy joins the intergalactic battle? Italian Luciano Bottaro spun wild, thrilling, and near-psychedelic Duckburg tales for decades! This volume also features "Quest for the Virtual Duck," as well as another story in which Dr. Zantaf - Scrooge's and Donald's mad scientist foe from Earth - returns!

The Phantom Blot - a power-crazed supervillain in a ghostly black cloak - is on the loose, and Mickey, Donald, and Uncle Scrooge must assemble to stop him! From terrifying time travel to usurping "The Crown of Tasbah," the Blot will stop at nothing to turn the world upside down! Classic Disney artist Paul Murry teamed with writers Del Connell and Bob Ogle to create seven comic book issues starring The Blot. In the process, they introduced Goofy's new secret identity: Super Goof! Will the Blot move too fast for all our heroes? With allies like Mad Madam Mim, the Beagle Boys, and "The Mysterious Mr. X?" He just might!

With its long-awaited second volume, Linda Medley's witty and sublimely drawn fantasy eases into a relaxed comedy of manners as Lady Jain settles into her new life in Castle Waiting. Unexpected visitors result in the discovery and exploration of a secret passageway, not to mention an epic bowling tournament. A quest for ladies' underpants, the identity of her baby son Pindar's father, the education of Simon, Rackham and Chess arguing about the "manly arts," and an escape-prone goat are just a few of the elements in this delightful new volume. Characters, including Jain's earliest romantic entanglements and conflicts with her bratty older sisters, the horrific past of the enigmatic Dr. Fell, and more. Originally released in a slightly shorter version when the series ceased publication, this new edition includes over 60 pages' worth of brand new additional story and epilogue, and the entire book has been re-lettered in a livelier, more inviting style for an even more engaging reading experience.

Castle Waiting is the story of an isolated, abandoned castle, and the eccentric inhabitants who bring it back to life. A fable for modern times, it is a fairy tale that's not about rescuing the princess, saving the kingdom, or fighting the ultimate war between Good and Evil -- but about being a hero in your own home. The opening chapter tells the origin of the castle itself, which is abandoned by its princess in a comic twist on "Sleeping Beauty" when she rides off into the sunset with her Prince Charming. The castle becomes a refuge for misfits, outcasts, and others seeking sanctuary, playing host to a lively and colorful cast of characters that inhabits the subsequent stories, including a talking anthropomorphic horse, a mysteriously pregnant Lady on the run, and a bearded nun. Linda Medley lavishly illustrates Castle Waiting in a classic visual style reminiscent of Arthur Rackham and William Heath Robinson. Blending elements from a variety of sources -- fairy tales, folklore, nursery rhymes -- Medley tells the story of the everyday lives of fantastic characters with humor, intelligence, and insight into human nature. Castle Waiting can be read on multiple levels and can be enjoyed by readers of all ages, especially young girls.

This is a collection of paintings, a one-man bestiary of monsters, weirdos, beasties, and anthropomorphs, all painted in Furie's meticulous brand of representational surrealism. Furie's cheerful, anthropomorphic comics character, Pepe the Frog, became a meme that was appropriated by hate groups (as seen in the documentary Feels Good Man, which premiered at the Sundance Film Festival.) Furie's recent paintings reflect this experience. This is a showcase for an unsettling menagerie; creatures seem to be hiding their true intentions. Furie is plumbing darker depths in these works, despite the paintings' inviting colors and friendly cartoon iconography.

Dutch artist and designer Femke Hiemstra has a unique style and vision that evokes the work of Robert Williams and Mark Ryden, but with a less cynical worldview that invites the viewer to enter the magic spaces she creates. Rock Candy is the artist's first retrospective and fully spotlights her talent, whimsy and wit in a deluxe package certain to catapult her to the forefront of the Pop Surrealism movement.
Hiemstra's paintings and illustrations are united by a meticulous attention to craft that gives life to her dark, lush, fairytale landscapes where inanimate objects come to life and frolic with anthropomorphs of all types. She incorporates mixed media, found objects, typography, and a variety of influences ranging from fireworks packaging to Japanese woodblock prints.
Rock Candy presents Hiemstra's entire life and career under one cover. In addition to over 100 gorgeous reproductions of her paintings and illustrations, Rock Candy includes photographs and reproductions of her studio, her influences, her family and much more. The book also includes an introduction by Kirsten Anderson, author of Pop Surrealism: The Rise of Underground Art and proprietor of the Roq La Rue Gallery (Seattle, WA), as well as an interview with Hiemstra, statements about the works by the artist, and many other surprises that are certain to make Hiemstra a household name amongst fans of Pop Surrealism.

The Complete Hate is a three-volume set that includes the original 1990-1998 30-issue run, the nine subsequent Hate Annuals, and tons of other Hate-related comics, illustrations, and ephemera created for books, magazines, comics, toys, and other merchandise. Bagge combined his cartoony drawing style with uncomfortably real Gen X characters, and the comic books resonated with readers. Book One (Hate 1-15), focuses on young Buddy Bradley's travails in early 1990s Seattle. Book Two focuses on Buddy and his girlfriend Lisa Leavenworth's move back to Buddy's native New Jersey (and a switch from black-and-white to full color). Book Three features the final arc of Bagge's magnum opus, as Buddy and Lisa become parents (and buy a garbage dump).

Peanuts Every Sunday: 1986-1990 has been scrupulously re-colored to optimize the original newspaper coloring, but with far better printing and paper than ever used on any newspaper - allowing readers to immerse themselves in Charles Schulz's timeless masterpiece once again.

Since their original publication, Peanuts Sunday strips have almost always been collected and reprinted in black and white. But many who read Peanuts in their original Sunday papers remain fond of the striking, pastel-heavy coloring, which makes for a surprisingly different and fulfilling reading experience. These early to mid-'80s strips collected in this volume highlights fan-favorites Franklin, Peppermint Patty, and Spike. The Beagle Scouts and Charlie Brown's always-contentious relationship with his kite also feature prominently. And when it comes to Lucy, "The Doctor is In." The strips in Peanuts Every Sunday 1981 - 1985 have been scrupulously restored and re-colored to look better than they ever have, allowing readers once again to immerse themselves in Charles Schulz's timeless masterpiece.

In Paper Peril, our protagonist braves a whimsical world of sinuous shapes and scribbly ink lines in his quest to become an artist. Drawing inspiration from classic illustrators like R.O. Blechman, Saul Steinberg, Sir Quentin Blake, Tove Jansson, and Tomi Ungerer, cartoonist Jean-Baptiste Bourgois explores the exhilaration and chaos of the creative process. A lovingly crafted ode to the pitfalls of artistic expression.

When Mr. Fibber accidently drops his coin in a jar of juice, he magically shrinks so he can dive down and retrieve it. On a walk one day, he stumbles upon a giant dog with a smokestack on its back, towing a train behind it - and hitches a ride. And just to make sure it stays sunny and warm during his vacation, he catches the sun in a net and packs it in his suitcase! These playful adventures, designed for children three and up, are illustrated in a bouncy colored pencil style and just bursting with imagination, will enchant young readers.

As the surreal comic strip continues into the 1920s, the likes of Joe Stork, Blind Pig, and Bum Bill Bee settle into the mesas of Coconino County. Brand-new readers and Herriman aficionados alike will find out what happens when Ignatz the Mouse's brick supplier runs out of stock, how Krazy Kat fares after taking up boxing, and what happens when a new "Katnippery" opens providing libations to the locals. Krazy & Ignatz 1919-1921 (Vol. 2) includes photographs, artwork, and introductory text by comic historians Bill Blackbeard and Michael Tisserand.

This volume collects all of George Evans' EC horror. It features "Blind Alleys," one of the most chilling and famous EC stories (adapted for the 1972 movie Tales From the Crypt). A man who abused residents of a home for the blind winds up in an impossibly narrow corridor lined with razor blades as a ravenous dog closes in. "In Gorilla My Dreams," an innocent man's brain is transplanted into a gorilla ... who is then blamed for the death of his former self and hunted down. And in our titular tale, "A Slight Case of Murder," four pretty young women are each gruesomely murdered inside locked rooms with no way for the killer to get in or out. But one man thinks he knows who's behind it. In addition, A Slight Case of Murder and Other Stories also includes Evans's unforgettable adaptation of the Ray Bradbury story "The Small Assassin!" This book superbly showcases these classic comic book stories and enhances the reader's experience with commentary and historical and biographical detail by EC experts.