Welcome to BookGN.com

One of the most renowned and celebrated comic strips in the art form's history waywardly treks on through the 1920s, with all its madcap animal inhabitants in tow, in this gorgeous, archival hardcover collection. In this volume: precarious coconuts, incarcerated elephants, and witty weather patterns. Krazy Kat themself take a swing at singing, astronomy, and starring in ... their own comic strip! It also features essays by Herriman scholars, plus ten rare full-color experimental strips by Herriman.
This Eisner Award-nominated series, featuring all the Krazy Kat Sunday strips' eternally beguiling love triangle, luminous language, and grand desert décor, makes it plain to Herriman fans and newcomers alike why historians, scholars, and cartoonists consider this the best comic strip ever created.

The world's elite use the ocean planet of Lure as a luxury vacation hub for a decade. But when climate change threatens Earth's long-term habitability, many of those who can afford it move to Lure for good. When the opportunity to work there for a year is offered to visual artist Jo Sparta, as part of a group of artists collaborating on a large-scale installation of public art, it seems like the chance of a lifetime. But then, Jo stumbles across a nefarious plot by her corporate benefactors and feels compelled to go public.
Lure showcases Milburn's rich visual imagination, with the planet Lure itself an ever-seductive, otherworldly paradise against which he spotlights themes of climate change, the disparity of wealth, and the value of art - all in the service of a grippingly moral thriller.

In 1976, a fledgling magazine held forth the idea that comics could be art. In 2016, comics can now be enjoyed by an adult readership and are reviewed favorably in the New York Times. We Told You So: Comics as Art is an oral history about Fantagraphics Books' key role in helping build and shape an art movement around a discredited, ignored, and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Frank Miller, Daniel Clowes, R. Crumb, as well as brand-new art by cartoonists like the Hernandez Brothers, Leslie Stein, Al Jaffee, Ellen Forney, Simon Hanselmann and more!

This series is rated Adults Only
DISCLAIMER: graphic sexuality
Clover - the "pretty" vampire of the title - is a Bardot-esque blonde who dreams of the (now-dead) girl she once was four years ago before becoming a fanged bloodsucker. She is being kept prisoner by her brother, Marcel, who fears Clover will be hunted by the outside world (and who may have other, more selfish motivations as well). Clover's curiosity, however, will not be suppressed: impetuous, sensual, strong-willed, and fearless, she plans her escape. The resultant havoc would make Dario Argento proud.

This is a deluxe, full-color, coffee table book biography; the first of one of America's greatest storytellers. It's filled with beautifully reproduced artwork from the comic books Little Lulu, and his creations Melvin Monster and Thirteen(Going on Eighteen); rare drawings and cartoons; and never-before-seen photographs. Bill Schelly tells Stanley's life story through interviews with his family, friends, and colleagues: his childhood in Harlem and the Bronx, life with his strict Irish Catholic mother, his education at Parsons, his first job as an animator at Max Fleischer Studios, and his years working as a commercial artist, before finding his true métier in comic books during World War II (while battling clinical depression and alcoholism).

A travel memoir recounting the artist's experience of caring for her frail grandparents aboard a cruise ship, while reflecting on her own fears on mortality, her age, and her family's relationships and history.

Acclaimed cartoonist Lucy Knisley (French Milk, Relish) got an opportunity that most only dream of: a travel-expenses-paid trip to Europe and Scandinavia, thanks to a book tour. An Age of License is Knisley's comics travel memoir recounting her charming (and romantic!) adventures. Knisley's experiences are colored by anxieties, introspective self-inquiries, and quotidian revelations - about traveling alone in unfamiliar countries, and about her life and career - that many young adults will relate to. An Age of License - which takes its name from a French saying - is an Eat, Pray, Love for the alternative comics fan.

Ernest Hemingway stars in three interconnecting short stories in this graphic novel.
Paris, 1925. Our story begins when Hemingway meets Athos, the last Musketeer, who, together with several more friends of Hemingway, travel to Spain's Pamplona for the fiesta. Festivities and complications ensue.
Paris, 1944. The second story starts the day after the liberation of Paris when Hemingway, now a war correspondent, decides enough is enough, and takes action to end the war for good. With a group of adventurers and resistance fighters, he parachutes into Germany to do just that.
Cuba, late 1950s. Our literary lion is in his twilight years, writing his memoirs, remembering his first and second meeting with the seemingly immortal Athos.
Mixing fact and fiction, Jason has imaginatively recreated one of America's greatest and most controversial writers of the 20th century.

Every success story has its humble - or arrogant and mean-spirited - beginnings, and now Fantagraphics Books is tickled pink to present Mean, collecting Weissman's early, self-published, unpublished, and otherwise rare "Yikes" comics. Enjoy your favorite characters' awkward, embarrassing first appearances; watch them stumble from their early, crude glory into their mature sadistic and masochistic selves. Li'l Bloody and the Pullapart Boy steal candy, X-Ray Spence answers his fan mail, and Kid Medusa falls in love (twice!). Early critical attention, while overwhelmingly positive, often questioned what Weissman "was on" when he came up with these odd tales of young friendship. ReadMean and guess for yourself.

Hilarious, frightening, mysterious, adorable and utterly bleak, Chocolate Cheeks has arrived to disgust and delight comic-book readers of all ages. "Sweet" Chubby Cheeks and the Pullapart Boy (a twenty-first century Frankenstein's monster for kids) are driving each other crazy. Forced together by their dating parents, these two bitter enemies have alienated-or otherwise disposed of - most of their social circle, leaving them with plenty of quality-time for each other. They go camping, start a business, form a band, join a team, try to make some new friends and engage in a "holy war." Things go from worse to worst, though, when the two boys find a cat - or is it a bird? - one hot, summer day.

Chewing Gum In Church is the new "Yikes" book by Steven Weissman, starring "Sweet"" Chubby Cheeks, Kid Medusa, the Pullapart Boy, Elzie Crisler, Dead Boy, X-Ray Spence and, of course, Li'l Bloody. This cast, having survived enough adventures to fill three mass-market paperbacks, now "settles" into a daily routine of cruelty, failure, jealousy, bitterness, gluttony, sloth, violence, arrogance, and stupidity. But especially stupidity.

White Flower Day is an all-ages humor graphic novel starring a precocious gang of supernatural kids: Pullapart Boy, Kid Medusa, Li'l Bloody (a vampire toddler), the Li'l Tin Stars, and more. Think Hal Roach's classic Our Gang comedies (before child labor laws made them impossible to replicate, unless you're a cartoonist) meets the Universal Monsters, with a tad of manga-style energy thrown in. The book consists of three stories: "White Flower Day," "Hostiles," and "I Saw You," all dealing with the theme of revenge (a new emotional desire to most of the tykes).

Sala's intrepid adventuress of the macabre faces monsters, zombies, witches, madmen, evil children and a villainess who may or may not be in love with her, in this delightfully creepy collection of thrilling, chilling tales.

SHE'S COMING...VIOLENZIA. A mysterious girl leaves a path of bloody destruction wherever she goes. But, why? Find out in the brand-new, full-color, 50-page comic by Richard Sala...

In rural Wales, Helen, an amateur bird watcher, investigates the apparent suicide of a 'rare bird' named Emrys. Helen's inner life is slowly revealed through a mixture of naturalistic detail and phantasmagoric occurrences.

This series is rated Adults Only
DISCLAIMER: gore sadistic violence
Aided by the anonymous dark web and nearly untraceable cryptocurrency, a criminal subculture has emerged. It livestreams murders as entertainment. Who are the killers? Who are the victims? Who is paying to watch? How to stop it? Red Room is constructed as a series of interconnected stories, shining a light on the characters who exist in the ugliest of corners in cyberspace. Piskor cuts the graphic horror with his sharp sense of humor, gorgeous cartooning, and dynamic storytelling. Red Room peels back the curtain on the side of humanity few of us knew existed, let alone understood. Fans and followers of Piskor's YouTube channel sensation, Cartoonist Kayfabe, have already made Red Room: The Antisocial Network one of the most eagerly anticipated and talked-about releases of 2021. It is the first in a series of graphic novels, with the second scheduled for release in Summer 2022.

Uncle Scrooge and Donald Duck battle old foes and ancient curses in wild comics adventures by fan-favorite artist William Van Horn! Scrooge McDuck is an ace treasure hunter, but is he a flying ace? When Scrooge enters the infamous Flitterwobble Airplane Show as a stunt pilot, he ends up defending his life, his rep - and his priceless antique Sopwith Two-Seater plane from the bombastic Baron Von Strudel! Canadian Disney Comics writer/artist William Van Horn has been a beloved Donald and Uncle Scrooge talent since 1987 - but only his DuckTales stories have been anthologized in modern times. By popular demand, this volume begins a comprehensive collection of his Uncle Scrooge and Donald adventures!

Alberto Breccia's Dracula is composed of a series of brutally funny satirical misadventures starring the hapless eponymous antihero. Literally defanged (a humiliating trip to the dentist doesn't help), the protagonist's glory days are long behind him and other, more sinister villains (a corrupt government, overtly backed by American imperialism) are sickening and draining the life out of the villagers far more than one creature of the night ever could. This is the first painted, full-color entry in Fantagraphics' artist-focused Alberto Breccia Library, and the atmospheric palette adds mood and dimension. It also includes a sketchbook showing the artist's process.

"Megg is a depressed, drug-addicted witch. Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's Girl Mountain Tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.

Let Us Be Perfectly Clear is a collection of Paul Hornschemeier's full-color short stories and shows off his playful experimental side and his protean stylistic verve. Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources - his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers. With almost every page, we see a new style, a new direction; Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.