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Gray Morrow's career spanned over forty years - he toiled as an illustrator, comic book storyteller, painter, creator of myths and tales, a ghost artist for others behind on their deadlines, and a comic strip artist. His talents were varied and he was consistently good in a profession where quantity was and is sometimes more important than quality. It's clear to anyone who takes the time to look at his body of work that he had point of view that was consistent, compelling, and good to look at. Orion, his homage to the epic "swashbuckler" newspaper strips of the 1930s and pulp sci-fi and fantasy, was published installments in Heavy Metal magazine in the 1970s, but has never been published in its entirety, until now. Read one of Morrow's favorite efforts which bristles with pulp sensabilites, engaging characters, and non-stop action. Also, Morrow's three comic book story arc, Edge of Chaos, his rumination on the Greek myths, is also assembled, for the first time as a complete story to compliment Orion.

Teenage tennis action as only Marvel can deliver! Tennis is Mill Collins whole life…but as the lowest ranking student at the Wayde Tennis Academy, she's about to lose her scholarship, and any chance at reaching her dream. What will she do next?

In the near future, several young people across the globe develop the ability to literally bring their imaginations to life through their drawings. This power, fueled by raw adolescent emotion can be awe inspiring or massively destructive and dangerous, depending on the intent of who wields it. Feared by the world and hunted by the B.C.E. (The Bureau of Creative Enforcement), the Creators fight to understand their abilities and carve out their place in the world.

All-New All-Different Marvel Reading Chronology #1
Ben Reilly The Scarlet Spider #1
Black Panther #13
Deadpool Vs The Punisher #2 (of 5)
Elektra #3
Great Lakes Avengers #7
Hulk #5
Infamous Iron Man #7
Man-Thing #3 (of 5)
Mighty Captain Marvel #4
Mighty Thor #18
Moon Girl And Devil Dinosaur #18
Occupy Avengers #6
Old Man Logan #22
Patsy Walker A.K.A. Hellcat #17
Rocket Raccoon #5
Star Wars Darth Maul #3 (of 5)
Thanos #6
Ultimates 2 #6
Weapon X #2
X-Men Blue #2
X-Men Gold #2

"When God didn't like what he created, he washed it all away in 40 days and 40 nights. I will do it in three" -Magneto
Suggested reading order:
Ultimatum #1 - Three Kings
Ultimatum #2 - It Gets Worse...
Ultimate Fantastic Four #58
Ultimate X-Men #98 - Ultimatium
Ultimate Spider-Man #129 - Ultimatum
Ultimate Fantastic Four #59
Ultimate X-Men #99 - Ultimatum: Part 2 of 3
Ultimate Spider-Man #130 - Ultimatum
Ultimate X-Men #100 - Ultimatum: Part 3 of 3
Ultimate Spider-Man #131 - Ultimatum
Ultimate Fantastic Four #60
Ultimate Spider-Man #132 - Ultimatum
Ultimatum #3 - Heaven on Earth
Ultimatum #4 - A Time To Die
Ultimate Spider-Man #133 - Ultimatum
Ultimatum #5 - The Ugly Truth
Ultimatum: Spider-Man - Requiem #1 - Requiem, Part One
Ultimatum: Fantastic Four Requiem #1 - Fantastic Four: Requiem
Ultimatum: X-Men Requiem #1 - Requiem
Ultimatum: Spider-Man - Requiem #2 - Requiem, Part Two

In the distant future, the habitable planets are connected through the trade of natural and artificial resources. The import and export business is flourishing for some systems, while leaving others at the mercy of major trade corporations.
After the end of the Galactic War, peace blanketed the galaxy; however, planets with little shipping resources turned to piracy or developed small guerilla military units geared to pillage trade ships. This spawned the necessity for trade companies to hire private security contractors for protection.
Even under the security of peacetime, there is no shortage of violence in outer space; from looting raiders, Navy destroyers neutralizing a rebel movement to the simplest space station falling victim to a rogue asteroid.
These destroyed or abandoned ships and stations are classified as "WRECKS."
Licensed cres are commissioned by governments, empires and corporations to remove these lifeless hulks.
In a hostile galaxy, the risk and reward is high for these crews.
They are known as...SALVAGERS.

When a full-scale jailbreak leaves New York overrun with super villains, Pat sees the perfect opportunity to use the creature sharing his body for good. But Toxin might have other ideas! Featuring a special guest appearance by Spider-Man!

Everything you've ever wanted to know about the cast of THE WALKING DEAD. The Survivor's Guide is a handy checklist of all the characters who have appeared in the series thus far, alive or dead. This series is a can't miss supplement to the hit comic book series that is now a hit TV series on AMC!

This series is rated Adults Only
DISCLAIMER: graphic sexuality
IN THE YEARS AFTER THE THIRD ARKHORIAN WAR, HORDES OF REAVERS, PIRATES AND MERCENARIES ROAMED THE WORLD, THEIR SWORDS SERVING NO CAUSE BUT THEMSELVES OR THE HIGHEST BIDDER. ACROSS THOSE BLOODSTAINED LANDS RODE ARHIAN, PROUD, FIERCE, HER GUILE AND WIT AS CUTTING AS HER BLADE. STORMING THROUGH AN AGE WITHOUT HEROES, SHE CLAIMED IT FOR HERS, AND CLEAVED HER WAY INTO LEGEND.

In this all-new miniseries, a spaceship crashes into a separatist camp and manages to reanimate the dead as well! It's aliens vs. zombies vs. militiamen in a carnage-filled tale from the co-creator of Zombies vs Robots! And if that ain't enough, covers for this series will be by acclaimed Cerebus creator, Dave Sim!

A spaceship crashes into a separatist camp and manages to reanimate the dead! Now, cut off from any military aid, it's Aliens vs. Zombies vs. Militiamen in a carnage-filled tale from the writer/creator of Zombies vs Robots!

A television star is murdered in Cambodia while researching a story on snake worship and its connectedness to religions throughout the world. His grieving college professor brother goes to Asia to retrieve his body and search for clues on what really happened. As the brother pursues the truth about the murder, he joins forces with an idealistic young woman involved in reclaiming victims of human trafficking. Together, they find ancient lore intertwined with the dark forces of money, envy, and trafficking.

Toth's influence on the art of comic books is incalculable. As his generation was the first to grow up with the new 10-cent full-color pamphlets, he came to the medium with a fresh eye, and enough talent and discipline to graphically strip it down its to its bare essentials. His efforts reached fruition at Standard Comics, creating an entire school of imitators and establishing Toth as the "comic book artist's artist." Setting the Standard collects this highly influential body of work in one substantial volume. Toth began his professional career at fifteen in 1945 for Heroic Comics, but quickly advanced to superhero work for DC. Responding to the endless criticism of editor Sheldon Mayer and production chief Sol Harrison, the young artist strove toward a technique free of "showoff surface tricks, clutter, and distracting picture elements." Simply put, he learned "how to tell a story, to the exclusion of all else." After falling out with DC in 1952, Toth moved west. He freelanced almost exclusively for Standard over the next two years, contributing classic work for its crime, horror, science fiction, and war titles. But perhaps most revelatory to the reader will be the romance collaborations with writer Kim Ammodt, Toth's personal favorites. "I came to prefer them for the quieter, more credible, natural human equations they dealt with ― emotions, subtleties of gesture, expression, attitude."

Lynda Barry's beloved, genre-defying work of “autobifictionalography” One! Hundred! Demons! exploded the comic book medium, ending up on “Best Of” lists from Time Magazine and the Chicago Tribune. In these seventeen vignettes that touch on the scent of people's homes, why babies are the best dancers, and how pretentious exboyfriends are like head lice, Barry brings her demons out to be exorcised. Described as “brutally honest, thoughtful and soulful” by Nick Hornby in the New York Times, One! Hundred! Demons! takes on Barry's childhood with humor and poignancy.

Bernard Krigstein began his career as an unremarkable journeyman cartoonist during the 1940s and finished it as a respected fine artist and illustrator ― but comics historians know him for his explosively creative 1950s, during which he applied all the craft, intelligence and ambition of a burgeoning “serious” artist to his comics work, with results that remain stunning to this day. Krigstein’s legend rests mostly on the 30 or so stories he created for the EC Comics, but dozens of stories drawn for other, lesser publishers such as Rae Herman, Hillman, and Atlas (which would become Marvel) showcase his skills and radical reinterpretation of the comics page, in particular his groundbreaking slicing and dicing of time lapses through a series of narrow, nearly animated panels. Greg Sadowski, who has previously written and designed a Harvey Award-winning biography of Krigstein, has assembled the very best of Krigstein’s comics work, starting with his earliest creative rumblings, through his glory days at EC, to his final, even more brilliantly radical stories for Atlas Comics ― running through every genre popular at the time, be it horror, science fiction, war, western, or romance (but no super-heroes).

The story takes place in a near future (more or less). The world is a huge factory, and the factory is the world. This world is presided over by “The Orifice,” the company which revolutionized the working method. You put your hands inside two holes, and you work, without you (or anybody) actually knowing what you’re working on… In the midst of all this is Lantz. Lantz is a comic book author. He’s the one who came up with the New New Testament, the bestseller that the entire economy depends on. Problem is: he’s got writer’s block. Riddled with doubt, he doesn’t know what he wants anymore, and his various frustrations are making him miserable. Lantz reflects the daily life of many among us. Will he be able to find an honorable way out of his psychological battles?

After the death of his mother, Christian moves with his single father to the sleepy coastal town of Shell Bay. Upon being bullied at his new school, he's quickly befriended by the group of "weird" kids. But what Christian doesn't know is that their playful occult shenanigans may actually be rituals that damn his soul!

In the troubled waters off Somalia, a rag-tag group of marine scientists studying a pack of female great white sharks find themselves caught in a conflict between pirates and the might of the US Navy. But why is the CIA so interested in the work of the scientists? And just how will they face up to the shadowy terror of the legendary great white - HOOK JAW?!

Riverdale's resident jock gets the spotlight in this special one-shot where everything's Moose! Stories by Sean Ryan, Ryan Cady and Gorf with art by Cory Smith, Thomas Pitilli and Wilfredo Torres!

Ridley Scotts monster gods! Colonial Marines have commandeered a mysterious alien shipwresting it from the savage Predators who also wanted it. But now the owner of the vessel has awakened, and the marines find themselves trapped in space with an angry god! Chapter two of the Life and Death story cycle!
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Prometheus - Life and Death (2017)
English | CBR | 95 pages | 198.94 MB
Chapter two of the Life and Death story cycle!
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Alien vs. Predator - Life and Death (2017)
English | CBR | 135 pages | 443.77 MB
Collects the four-issue series Alien vs. Predator: Life and Death and the double-sized Prometheus: Life and Death - Final Conflict.