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Death Stand And Other Stories collects more than thirty stories ― all the combat tales Davis and Kurtzman did together for EC's Two-Fisted Tales and Frontline Combat. It also includes Davis's adaptation of an excerpt from James Fenimore Cooper's Last of the Mohicans.

This is a collection of three of the acclaimed cartoonist's earliest graphic novels, which are about Scandinavian mysteries, childhood stunts gone wrong, and much more. Three classic Jason volumes in one omnibus!

The Legendary Intellectual and Raconteur Talks to Hal Foster, Walt Kelly, Harvey Kurtzman, Howard Chaykin, Robert Crumb, and Other Artists.

From its high culture influence on Pop Art to its low culture appeal to children of all ages, the comic strip has had a lasting hold on the imaginations of generations. Noted writer Donald Phelps provides essays on popular classics, such as Chester Gould's Dick Tracy, E.C. Segar's Thimble Theatre (which produced Popeye), and Frank King's Gasoline Alley. His keen eye discerns the sublime qualities of this most American art form with wit and refreshing candor. Reading the Funnies offers an elegant and eloquent look into this fascinating slice of American popular culture.

This is the heavily illustrated memoir of the underground, feminist cartoonist, who fought the establishment and misogyny while running a fashion boutique and mingling with rock stars. From dressing Mama Cass to being pelted with jelly babies as she helped photograph the Rolling Stones's first US tour, from drunken New York nights spent with Jim Morrison to producing the very first all-woman comic book, the Lady of the Canyon takes no prisoners.

This graphic novel omnibus includes You Can't Get There From Here, about a monster love triangle; Tell Me Something, about love, recovered; Meow Baby!, short genre comics; and The Living and the Dead, a hilariously deadpan (and gory) take on the traditional Romero-style zombie thriller. All of these yarns star Jason's patented cast of tight-lipped (or -beaked) bird-, dog-, cat- and wolf-people, and showcase his compassion and wry wit.

Drawn in Blechman's expressive, patented "wavy line" pen-and-ink style, Amadeo & Maladeo is the tale of two Mozart-esque half brothers. The aristocratic Amadeo begins his musical career playing violin for the King and Queen of Austria, while penurious, illegitimate Maladeo plays violin for pocket change on a street corner. Both face the trials and tribulations of fame as their stories intertwine and come full circle. Amadeo and Maladeo serves as an elegant and unvarnished metaphor for the hardships contemporary artists face, which appears to be a universal condition of civilization.

This series is rated Adults Only
DISCLAIMER: gore
This is a blackly comedic take on horror tropes―a backpacker arrives in a strange town, a man and his dog delve into some mysterious woods―in the form of atmospheric short comics. Flayed Corpse and Other Stories contains more than two dozen of examples of Simmons's deft voice and vision. The individual stories in Flayed Corpse stand on their own as minimasterpieces of skin-crawling terror, but collectively complement each other in a way that only heightens the anxiety and dread pouring from page to page. Flayed Corpse also collects several collaborations between Simmons and other cartoonists, including James Romberger, Anders Nilsen, Tara Booth, Eroyn Franklin, Tom Van Deusen, and Eric Reynolds, amongst others.

Winner of the prestigious Grand Prize of the 2010 Angouleme Comics Festival, 5,000 Kilometers Per Second tells―or almost tells―the love story between Piero and Lucia, which begins with a casual glance exchanged by teenagers across the street through a window and ends with a last, desperate hook-up between two older, sadder one-time lovers. Executed in stunning watercolors and broken down into five chapters (set in Italy, Norway, Egypt, and Italy again), 5,000 Kilometers Per Second manages to refer to Piero and Lucia's actual love story only obliquely, focusing instead on its first stirrings and then episodes in their life during which they are separated―a narrative twist that makes it even more poignant and heart-wrenching. 5,000 Kilometers Per Second is another delicate graphic-novel masterpiece from Europe.

Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend's idea about cultural and temporal collision (the "Dal" is short for Dallas).
Why Texan and Japanese? Panter says, "Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I'll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas."
In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade. But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter,s famous "ratty line" collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.

This series is rated Adults Only
DISCLAIMER: GRAPHIC CONTENT WARNING: Prison Pit is an interstellar science-fiction fantasy in the classic action-adventure vein -- however, it also contains material that may shock and offend general audiences. Discretion is strongly advised if the reader is uncomfortable with explicit gore, sadistic barbarian violence of a sexual nature, or frank depictions of human and alien nudity.
122 Pages!
Prison Pit is an original graphic novel from the pen of Johnny Ryan, best known for his humor comic, Angry Youth Comix. Prison Pit represents a marked departure from AYC or his Blecky Yuckerella weekly comic strip, combining his love for WWE wrestling, Gary Panter's "Jimbo" comics, and Kentaro Miura's "Berserk" Manga into a brutal showcase of violence, survival and revenge. Imagine a blend of old-fashioned role playing fantasy games like Dungeons & Dragons crossed with contemporary adult video games like Grand Theft Auto, filtered through Ryan's sense of humor.
The book begins with C.F. (his full-name would be too horrifying to reveal here) being thrown into the Prison Pit, a barren negative-zone populated by intergalactic, violent monster criminals. In this first volume, C.F. gets into a bloody slorge war (a slorge is a giant slug that excretes a steroid-like drug called "fecid" that all the monster men are addicted to) with ultraprisoner Rottweiler Herpes and his henchmen Rabies Bloodbath and Assrat. The ensuing bloodbath is an over-the-top, hyperviolent yet hilarious farce worthy of Ryan's inspiration, Kentaro Miura.

Happy Hour in America is cartoonist Tim Lane's one-man, self-published anthology consisting of new short stories, selected material from three new books in progress, and other experimental work.

This is a dystopic coming-of-age graphic novel about two brothers trying to discover the secret of their father's diary. Two pre-adolescent brothers scavenge a post-apocalyptic landscape for anything that might help each other and their father exist for one more day. Although their survival hangs in the balance, the boys are obsessed with only one thing―the diary their father keeps. They've never been taught to read or write, but they have a hunch that the scribbles might answer their questions. Land of the Sons is Gipi's most artistically accomplished work to date.

With Too Soon? Drew Friedman finally (none "too soon," in fact) gets his due with this fat, beautiful collection that showcases his wide-ranging skills as a portraitist and caricaturist. Subjects (or targets, depending on how you look at it) for Friedman's pen on the political side include Bill and Hillary Clinton, John Kerry, John McCain, and George W. Bush (with an iconic "W. as Strangelove" image) and his gang. Entertainers include Tiny Tim, Barney Fife, Bob Dylan, Woody Allen, Oprah Winfrey, Barbra Streisand, Jerry Lewis, the Three Stooges, Ellen DeGeneres, and Conan O'Brien. And falling somewhere in the gray area between entertainers and political players (you make the call!) Rush Limbaugh (who blasted Friedman's George W. Bush image as being of "low artistic quality"), Sarah Palin, and Michael Moore.

What is "Art"? It's widely accepted that art serves an important function in society. But the concept falls under such an absurdly large umbrella and can manifest in so many different ways. Art can be self indulgent, goofy, serious, altruistic, evil, or expressive, or any number of other things. But how can it truly make lasting, positive change? In Why Art?, acclaimed graphic novelist Eleanor Davis (How To Be Happy) unpacks some of these concepts in ways both critical and positive, in an attempt to illuminate the highest possible potential an artwork might hope to achieve.

This is a collection of darkly comic standalone strips by a cartoonist Herge (Tintin) idolized. Die Laughing, which is executed in stark black and white, takes aim at everyone and everything in its scathing critique of modern life, but is particularly ruthless toward animal abusers, the military industrial complex, and death penalty enthusiasts. Franquin's loose but meticulous line work features expressionistic shadows and silhouettes that infuse his depressed, repressed, and oppressed characters with a disturbing manic energy. Die Laughing is filled with visual gags and gag-inducing visuals that will haunt you.

Daydreams & Nightmares collects the rarest work from Little Nemo In Slumberland creator Winsor McCay's historic career. A fantasist of the first rank, McCay was a key pioneer in the histories of both comics and animation. He had a fascination with dreams that extended beyond his newspaper strip Little Nemo in Slumberland, and it was a fascination as compelling as that of Freud, Jung and Adler's, as proven in the pages of Daydreams & Nightmares. McCay's dream-inspired strips, illustrations and cartoons feature rarebit-induced nightmares, playful "what-ifs," moralistic panoramas, pictorial allegories and other fantastic visions.

These works span the globe, from periodicals to museums, including: conceptual drawings and comics of Ulysses S. Grant created for an exhibit in Paris; an award-winning cover exhibited in the Victoria and Albert Museum in London; the seventeen-part serialized tale of divine intervention, non-linearity, and social webs "Huge Suit Visits the People" created for the celebrated German newspaper Frankurter Allgemeine Zeitung; and comic strips for The Wall Street Journal and CNN featuring the unlikely cartoon protagonists of Michael Jackson, Sylvester Stallone as Rambo, and the "gray fox," Anderson Cooper. In addition to these oddities, All and sundry collects covers and designs from multiple foreign editions of Paul's books, ranging from Holland to Korea, as well as short, illustrated prose.

A friendship fumbles and falls apart after an uncertain encounter in this graphic novel from a remarkable new voice. Parrish's emotionally loaded, painted graphic novel is is a visual tour de force, always in the service of the author's themes: navigating queer desire, masculinity, fear, and the ever-in-flux state of friendships.

Majestic, iconic, chaotic, or downright weird, a classic comic book cover has an undeniable appeal, and Action! Mystery! Thrills! celebrates in spades this unique cultural icon. The covers are arranged chronologically to give the reader a sense of the sweeping trends and stylistic developments throughout the medium's first decade, as inexorable waves of dazzling imagery battled monthly for newsstand attention.