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Assembled from work done in Anders Nilsen's sketchbooks over the course of the year following the death of his fiancée in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation.
It is a concept album in different styles, a meditation on paying attention, an abstracted autobiography and a travelogue, reflecting the progress of his struggle to reconcile the great upheaval of a death, and finding a new life on the other side.
The book blends Nilsen's disparate styles, from the iconic simplicity and collaged drawings of his Monologues for the Coming Plague to the finely rendered Dogs and Water and Big Questions.
Originally released in magazine form in 2007 (which received an Ignatz Award nomination for Outstanding Story), The End has been updated and expanded to more than twice its original length, including 16 pages of full color.

This all-new, all-ages comic magazine will thrill kids and parents alike! Featuring 48 pages of brand-new comics by acclaimed cartoonists Robert Goodin (The Kurdles), Cathy Malkasian (Percy Gloom), and other surprises! Starring the Kurdles! Greta Grump! Howdy Pardner! Pacho Clokey! The best kids comic magazine since the demise of Nickelodeon magazine!

A a solitary figure has telepathic encounters with a demonic aviatrix, a wandering crystalline being, a flaming sword-wielding warrior, and a mysterious sorceress, all within the confines of his own apartment. Haven's work is dark, absurdist, and deadpan, reflecting the apocalyptic undercurrent of modern times. His inky, rubbery drawings buttress his black humor.

Written by Archie Goodwin and drawn by such luminaries as Frank Frazetta, Wally Wood, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Gene Colan, Blazing Combat was originally published by independent comics publisher James Warren in 1965 and '66. Following in the tradition of Harvey Kurtzman's Two-Fisted Tales and Frontline Combat, Goodwin's stories reflected the human realities and personal costs of war rather than exploiting the clichés of the traditional men's adventure genre. They were among the best comics stories about war ever published.
Blazing Combat ended after its fourth issue when military post exchanges refused to sell the title due to their perception that it was an anti-war comic. Their hostility was fueled by the depiction of the then-current Vietnam War, especially a story entitled "Landscape," which follows the thoughts of a simple Vietnamese peasant rice-farmer who pays the ultimate price simply for living where he does - and which was considered anti-war agitprop by the more hawkish members of the business community.
Writer Archie Goodwin and the original publisher James Warren discuss the death of Blazing Combat and market censorship as well as the creative gestation of the series in exclusive interviews.

Scrooge McDuck wants to find the treasure of King Duckapulco, an ancient ruler of a pre-Columbian South American empire. But the King's ghost demands his vast wealth go only to the pure of heart. Is that why Scrooge and Donald are bringing Huey, Dewey, and Louie along? Beyond "King of the Golden River," this collection of stories, in English for the first time, includes "Me, Myself, and Why" ― in which Scrooge adopts two aliases to confuse the taxman ― only to develop a real split personality! Plus: The Wild West saga of "Mickey the Kid and Six-Shot Goofy!"

A corporation invents a device that can talk to God in this graphic novel thriller. Godhead ricochets from the streets of a working-class African American community to the glimmering halls of corporate America to a mobile scientific laboratory located in the Pacific Ocean. A sprawling contemporary saga with a science-fiction edge, Godhead explores a collision course between science and religion when a corporation creates a device that can talk to God. Is this humanity's salvation or the equivalent of a Doomsday machine? Godhead is Ho Che Anderson's most conceptually and thematically ambitious graphic novel to date, his first in over ten years. Visually, he employs a variety of drawing techniques from tonal images to stark black-and-white to full color painting in order to convey a thriller that ranges from intimate domestic drama to globalist corporate intrigue.

Fuzz & Pluck: Splitsville tells the hilariously bizarre adventures of Pluck, an irritable and featherless rooster, and his best pal, the awkwardly unsocialized but lovable teddy bear known as Fuzz. These two usually inseparable and co-dependent misfits find themselves suddenly separated and alone. Pluck vows to establish his place in the world's pecking order by becoming a champion gladiator, while the more demure Fuzz finds himself a POW in a stuffed animal collection, only to escape and befriend a mercurial ferryman who recruits him for an impossible task. These absurdities pile on and eventually converge in a fatal collision course that reunites our heroes.

Critically acclaimed cartoonist Carol Tyler recreates the exhilaration and excitement of Beatlemania at its height in 1965, her personal obsession with the Beatles, and her odyssey that leads her to the famous Beatles Chicago concert later that year. Told in the voice of its 13-year-old author, Fab 4 Mania is a facsimile of the diary that she kept throughout 1965, and is brimming with rich period details, humor, and insight. It's a look into the life of a teenager from a working-class family whose love of music awakens her senses and opens her up to the world beyond that of small-town Fox Lake, Illinois. It is also about the Beatles, as seen through the eyes of a young, giddy teenager and a reflective, adult artist, and the joy the band gives.

Acclaimed cartoonist Noah Van Sciver grants us exclusive access to the Artist's process through this collection of his private sketchbooks created between 2013 and 2017. Covering Noah's life, thoughts, and time in Denver, White River Junction (as a Fellow of the Center for Cartoon Studies), and Columbus, Ohio, the artist documents failed relationships, sketeches of his surroundings, strange recollections from life and portraits of fellow artists. A candid look at the years in which Van Sciver climbed to the top of his game.

Cartoonist Wallace Wood created and published his own magazine ― witzend. Witzend immediately became a venue for personal work, without regard to commercial constraints and with contributors like Frank Frazetta, Al Williamson, Gray Morrow, and Reed Crandall. (And that was just the first issue!) In later issues, Steve Ditko, Art Spiegelman, Vaughn Bodé, Jim Steranko, Jeffrey Catherine Jones, Howard Chaykin, Bernie Wrightson ― and dozens more ― joined in.

Compulsive Comics collects the very best of Eric Haven's singular brand of inverted-comic-book-consciousness and genre-bending short stories. "The Glacier" is about a lone scientist making a startling discovery. The volume's most controversial story, "I Killed Dan Clowes," is an epic conflation of autobio and fantasy. While driving around Oakland, ruminating on the history of underground comics in the Bay Area, the main character fatally hits acclaimed graphic novelist Daniel Clowes, and the absurdity only escalates from there.

In this collection, two giant robots battle it out in a European metropolis; an engineer is asked to inspect something unusual at a marble quarry; a recently relocated father loses his young son in Berlin's Tempelhof Park; the painter Arnold Böcklin takes a trip before he paints his famous masterpiece, The Island of Death; and, an immigrant grandmother tells the story of how she escaped war in Indochina. Blackbird Days is rounded out with an autobiographical snapshot of the 2015 terrorist attacks in Paris, Fior's home.

Aglaia is a simple sea nymph. One day, a Merman seduces Aglaia, forever altering her life's course. She is cast out of Oceanid by her chauvinistic father, forcing her to wander many days and nights, until one day she finds herself at the benefit of one Mr. Kite, whose traveling circus welcomes her (including the star attraction, a waltzing Horse named Henry) and once again alters her fate, sending her down many more unexpected paths. The Song of Aglaia is the first solo graphic novel by cartoonist Anne Simon, presenting a beautifully crafted female spin on the classic heroic myths of Greek literature, tracing the journey of a victimized and then almighty woman with a graceful understanding of human relationships and loving nods to the Bronte sisters, David Bowie, and the Beatles.

Alberto Breccia is recognized as one of the greatest international cartoonists in the history of comics and Mort Cinder is considered one of his finest achievements. Created in collaboration with the Argentine writer Héctor Germán Oesterheld, best known in the U.S. for his politically incendiary sci-fi masterpiece, the Eisner Award-winning The Eternaut, Mort Cinder is a horror story with political overtones. This episodic serial, written and drawn between 1962 - 1964, is drawn by Breccia in moody chiaroscuro. The artist's rubbery, expressionistic faces capture every glint in the eyes of the grave robbers, sailors, and slaves that populate these stories; while the slash of stripes of prisoners' uniforms, the trapeziums of Babylon, and more create distinct and evocative milieus.

This is the first time Pogo has been complete and in chronological order for the first time anywhere―with all 104 Sunday strips from these two years presented in lush full color for the first time since their original appearance in Sunday newspaper sections. In this volume, the Okefenokee gang decide to dig a canal to compete with the Suez (as soon as they can con one of their own into doing the digging) and consider going back to school. Among other hi-jinx, a flea comes a courtin' Beauregard the Dog.

In addition to presenting all of 1955 and 1956's daily Pogo strips complete and in order for the first time anywhere (many of them once again scanned from original syndicate proofs, for their crispest and most detailed appearance ever), Pogo: The Syndicated Comic Strip Vol. 4 also contains all 104 Sunday strips from these two years, presented in lush full color for the first time since their original appearance in Sunday sections 60 years ago.

It's in this volume (featuring another two years worth of Pogo strips) that we meet one of Walt Kelly's boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy. The subject was sensitive enough that by the following year a Providence, Rhode Island newspaper threatened to drop the strip if Malarkey's face were to appear in it again. Kelly's response? He had Malarkey appear again but put a bag over the character's head for his next appearance. Ergo, his face did not appear. (Typical of Kelly's layers of verbal wit, the character Malarkey was hiding from was a Rhode Island Red hen, referencing both the source of his need to conceal Malarkey and the underlying political controversy.) The entirety of these sequences can be found in this book. But the Malarkey storyline is only a tiny portion of those rich, eventful two years, which include such classic sequences as con-man Seminole Sam's attempts to corner the market on water (which Porkypine's Uncle Baldwin tries to one-up by cornering the market on dirt); a return engagement of Pup Dog and Houndog's blank-eyed Little Orphan Annie parody Li'l Arf and Nonny; Churchy La Femme going in drag to deliver a love poem he wrote, Cyrano style, on Deacon Mush-rat's behalf to Sis Boombah (the aforementioned hen); P.T. Bridgeport's return to the swamp in search of new talent; and of course two rousing choruses of Deck Us All With Boston Charlie.

Pogo: Bona Fide Balderdash is the second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available.

Walt Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American "intellectual" comics. As the strip progressed, it became a hilarious platform for Kelly's scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics ― Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo ― dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols.

On their way to an exclusive college, a group of young women are suddenly stranded on a strange plateau when their plane goes down. They soon realize they are cut off from civilization in a land forgotten by time. It's rough going at first - mostly due to the dinosaurs, carnivorous plants, and apemen - but these are intelligent, brave, and resourceful women now living as The Cave Girls of the Lost World! Richard Sala's quirky new story is made up of text from a "found" weather-beaten journal, eye-poppying full-page illustrations, and a comic strip framing device, which all showcase Sala's lovely watercolor artwork.