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As a part of the acclaimed DC Comics - The New 52 event of September 2011, writer Scott Lobdell (X-Men, The Age of Apocalypse) and artist Brett Booth (JUSTICE LEAGUE OF AMERICA) deliver a fresh new take on DC Comics' teen heroes, the Teen Titans. Tim Drake, Batman's former sidekick, is back in action when an international organization called Project N.O.W.H.E.R.E. seeks to capture, kill or co-opt super-powered teenagers. As Red Robin, he's going to have to team up with the mysterious and belligerent powerhouse thief known as Wonder Girl, the hyperactive speedster calling himself Kid Flash and few more all-new teen super-heroes to stand any chance at all against N.O.W.H.E.R.E. But as Superboy meets them for the first time, the Titans have to wonder, is he a friend - or foe? Collects Teen Titans (2011-2014) #1-7.

Collects Marvel Spotlight (1979) #9-11, and material from Web of Spider-Man Annual #5-6 and What If? (1989) #31.
Captain Universe has joined the Avengers! But who -- or what -- is this cosmic hero? In times of crisis, the Enigma Force manifests, empowering an innocent bystander to avert the catastrophe! It's an all-star assemblage of the Uni-Power's earliest appearances!

HANA YORI DANGO (Boys Over Flowers) broke sales records by becoming the first shojo manga series to sell over 35 million copies in Japan, making the series the best-selling shojo manga in Japan. The series went on to win the 1996 Shogakukan Comic Award in the Girls Preferred Division.

Collects Skrull Kill Krew (1995) #1-5, Avengers: The Initiative #16-19, Skrull Kill Krew (2009) #1-5, material from Dark Reign: New Nation #1.
Remember those Skrulls that Reed Richards brainwashed into living out their lives as cows? Good thing nobody ever slaughtered those cattle for beef, right? Uh-oh. When Skrull meat enters the food chain, the maddest cow disease of all gives an unlucky few shape-changing powers, a fatal illness -- and a thirst for vengeance. They may be dying, but they ain't going down alone! The Skrull Kill Krew wages violent warfare on all pointy-eared, green aliens hiding on Earth! And when the Skrulls launch their Secret Invasion, the Krew's bloody mission becomes more important than ever -- but what happens when one of them starts to sympathize with their victims?

Two warring super-computers play an obscene "video-game" on a worldwide scale, using human slaves as pawns. The woman warrior SAFARI, whose lust for revenge holds the keys to freedom in this sci-fi masterpiece.

A deadly curse plagues a small Colorado town, melting the flesh from its victims -- the violent revenge that four warriors set in motion when their sacred burial grounds were disturbed for the sake of gold miners' greed! One self-destructive hero holds the fate of the town in his hands. Collects the entire miniseries. "Mandrake is an artist who deserves to be a superstar." - Comic Book Resources "Henriksen's undeniable talents as a storyteller are on full display here" - Rue Morgue "With the body horror and suspense ramped up to full effect, readers should definitely pick up "To Hell You Ride." - Bloody Disgusting

All-ages action building on the hit Nickelodeon cartoon series! Follow all of the Turtles' adventures in the stories "The Meeting of the Mutanimals," "Zodiac," "Zine-Age Mutant Ninja Turtle," and "Donnie Finds a Relic!" from the Amazing Adventures series.

Get an exclusive behind the scenes look into the process of the hottest new title form Minotaur Press! Hack into the classified personnel files of slacker genius Dr. David Loren and all the other characters you know and love from behind the concrete barricades of a DARPA contracted Think Tank! School yourself on the extended "Science Class" that further explores the real world science behind the Reaper drones, guided bullets, and much, much more never-before-seen tech! Cheaper than tuition to Cal Tech, it's like breaking into a black box, but more fun.

In 1973, industry titan Denny O'Neil joined master artists Howard Chaykin and Walt Simonson to adapt stories starring Fritz Leiber's timeless fantasy characters, the barbarian Fafhrd and the nimble rogue the Gray Mouser. Now, for the first time ever, Dark Horse Books is collecting all of those exciting tales of swords and devilry into one handsome collection!

EC artist Johnny Craig's graphic style is eerily crisp and contemporary. This collection of 25 Craig favorites includes such shockers as "Horror House!," "Werewolf Concerto," "Terror on the Moors," and the title story, "Voodoo Vengeance" ― along with seven Craig crime classics, including Craig's own personal favorite, "The Sewer!"

When Jack Davis took up his pen for EC Comics, he made his innocent victims more eye-poppingly terrified, his ax-murderers more gleefully gruesome, and his vampires and werewolves more bloodthirsty and feral than any other artist. These horror and suspense tales ― from the pages of Vault of Horror,Haunt of Fear, Crime SuspenStories, and Shock SuspenStories ― offer everything a horror fan could ask for: re-animated bodies and body parts, a ghoul who stores bodies like a squirrel stores nuts, a vampire who moonlights at (where else?) a blood bank, greedy business partners, corrupt politicians, jealous lovers, revenge from beyond the grave, and a healthy complement of vampires, werewolves, and assorted grotesqueries. All leavened with the cackling, pun-laced humor of scripter Al Feldstein and illuminated as only the virtuoso brushwork of Jack Davis can present them.

In this thought-provoking original graphic novel, a world-class collection of top comic-book creators from around the globe presents a series of uniquely personal visions of the heroic icon that is Captain America! RED: WHITE & BLUE roams between the humorous and the serious, the farcical and the personal invoking the power people give over to Captain America. In all, more than fifty creators have crafted timeless stand-alone stories each told with a color palette limited to Cap's signature colors of red, white and blue!

Gray Morrow's career spanned over forty years - he toiled as an illustrator, comic book storyteller, painter, creator of myths and tales, a ghost artist for others behind on their deadlines, and a comic strip artist. His talents were varied and he was consistently good in a profession where quantity was and is sometimes more important than quality. It's clear to anyone who takes the time to look at his body of work that he had point of view that was consistent, compelling, and good to look at. Orion, his homage to the epic "swashbuckler" newspaper strips of the 1930s and pulp sci-fi and fantasy, was published installments in Heavy Metal magazine in the 1970s, but has never been published in its entirety, until now. Read one of Morrow's favorite efforts which bristles with pulp sensabilites, engaging characters, and non-stop action. Also, Morrow's three comic book story arc, Edge of Chaos, his rumination on the Greek myths, is also assembled, for the first time as a complete story to compliment Orion.

In the distant future, the habitable planets are connected through the trade of natural and artificial resources. The import and export business is flourishing for some systems, while leaving others at the mercy of major trade corporations.
After the end of the Galactic War, peace blanketed the galaxy; however, planets with little shipping resources turned to piracy or developed small guerilla military units geared to pillage trade ships. This spawned the necessity for trade companies to hire private security contractors for protection.
Even under the security of peacetime, there is no shortage of violence in outer space; from looting raiders, Navy destroyers neutralizing a rebel movement to the simplest space station falling victim to a rogue asteroid.
These destroyed or abandoned ships and stations are classified as "WRECKS."
Licensed cres are commissioned by governments, empires and corporations to remove these lifeless hulks.
In a hostile galaxy, the risk and reward is high for these crews.
They are known as...SALVAGERS.

A spaceship crashes into a separatist camp and manages to reanimate the dead! Now, cut off from any military aid, it's Aliens vs. Zombies vs. Militiamen in a carnage-filled tale from the writer/creator of Zombies vs Robots!

A television star is murdered in Cambodia while researching a story on snake worship and its connectedness to religions throughout the world. His grieving college professor brother goes to Asia to retrieve his body and search for clues on what really happened. As the brother pursues the truth about the murder, he joins forces with an idealistic young woman involved in reclaiming victims of human trafficking. Together, they find ancient lore intertwined with the dark forces of money, envy, and trafficking.

Toth's influence on the art of comic books is incalculable. As his generation was the first to grow up with the new 10-cent full-color pamphlets, he came to the medium with a fresh eye, and enough talent and discipline to graphically strip it down its to its bare essentials. His efforts reached fruition at Standard Comics, creating an entire school of imitators and establishing Toth as the "comic book artist's artist." Setting the Standard collects this highly influential body of work in one substantial volume. Toth began his professional career at fifteen in 1945 for Heroic Comics, but quickly advanced to superhero work for DC. Responding to the endless criticism of editor Sheldon Mayer and production chief Sol Harrison, the young artist strove toward a technique free of "showoff surface tricks, clutter, and distracting picture elements." Simply put, he learned "how to tell a story, to the exclusion of all else." After falling out with DC in 1952, Toth moved west. He freelanced almost exclusively for Standard over the next two years, contributing classic work for its crime, horror, science fiction, and war titles. But perhaps most revelatory to the reader will be the romance collaborations with writer Kim Ammodt, Toth's personal favorites. "I came to prefer them for the quieter, more credible, natural human equations they dealt with ― emotions, subtleties of gesture, expression, attitude."

Lynda Barry's beloved, genre-defying work of “autobifictionalography” One! Hundred! Demons! exploded the comic book medium, ending up on “Best Of” lists from Time Magazine and the Chicago Tribune. In these seventeen vignettes that touch on the scent of people's homes, why babies are the best dancers, and how pretentious exboyfriends are like head lice, Barry brings her demons out to be exorcised. Described as “brutally honest, thoughtful and soulful” by Nick Hornby in the New York Times, One! Hundred! Demons! takes on Barry's childhood with humor and poignancy.

Bernard Krigstein began his career as an unremarkable journeyman cartoonist during the 1940s and finished it as a respected fine artist and illustrator ― but comics historians know him for his explosively creative 1950s, during which he applied all the craft, intelligence and ambition of a burgeoning “serious” artist to his comics work, with results that remain stunning to this day. Krigstein’s legend rests mostly on the 30 or so stories he created for the EC Comics, but dozens of stories drawn for other, lesser publishers such as Rae Herman, Hillman, and Atlas (which would become Marvel) showcase his skills and radical reinterpretation of the comics page, in particular his groundbreaking slicing and dicing of time lapses through a series of narrow, nearly animated panels. Greg Sadowski, who has previously written and designed a Harvey Award-winning biography of Krigstein, has assembled the very best of Krigstein’s comics work, starting with his earliest creative rumblings, through his glory days at EC, to his final, even more brilliantly radical stories for Atlas Comics ― running through every genre popular at the time, be it horror, science fiction, war, western, or romance (but no super-heroes).

Riverdale's resident jock gets the spotlight in this special one-shot where everything's Moose! Stories by Sean Ryan, Ryan Cady and Gorf with art by Cory Smith, Thomas Pitilli and Wilfredo Torres!